Sunday, January 30, 2011

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The WTC buildings were demolished by Israel using "hydrogen micronukes"

few post back we reviewed a couple of odd photos (*) Where there is a large mass of molten rock beneath which were the foundations of the towers, with a slope that seemed to lead into a hole. Recently I had access to these other views of the bedrock where a large hole appears that you have built a concrete plug.

We note at the bottom of the formwork to contain spillage of concrete, what they have covered and what would be the reason for this? top left shows another ajujero to you are raising a side wall, presumably to be filled also. Top center a couple of lines, someone has idea what does this work? because the announced Freedom Tower not yet started and the circular hole does not seem to be the foundation of any proposed tower, but then what is?

It reminds me of the Chernobyl sarcophagus, perhaps on another level but it could be the hot core (of which the Commission will not talk and neither mentions NIST) who stubbornly refused to cool for months ... I do not speak of a reactor, but a possible device installed under the foundations of buildings. Nobody has yet explained satisfactorily the many signs pointing in this direction.

The Commission continued ignoring (concealing) the signs and effects saludde rescuers, firefighters and workers who have typical forms of cancer to which one would expect to find in people exposed to high doses of radiation. The dogs used in the rescue died within a few weeks.

Moreover, government policy makers in the health area had been declared safe area of \u200b\u200blower Manhattan just days after the disaster, to allow business to resume as quickly as possible on Wall Street. It is unclear what kind of device was used, although there is speculation in micronukes hydrogen.

For my part I can only reiterate something I said before: most likely have used a bomb-art and most probably we are facing a second Hiroshima , only this time its true concealed nature, and what it would be, as proposed Khalezov (among others) was an underground detonation.

If you think about the strange effects verified following the collapse at ground zero (spontaneous combustion cars, cooking CORE (spray and vaporization of the structure), the dark cloud from inside the towers, EMP or electromagnetic pulse to disrupt and collapse were communications, high amounts of tritium in the dust, etc, might be able to seriously consider this possibility as once demolición.Recordemos method more than the Manhattan Project of the '40s could be kept secret even after the first test detonations. Only God knows (if any such entity) how many projects remain secret even to the eye and the public awareness on the part of the large militias in the world.

Writer: Franco Bagalá (tarkus01/tarkus07/Frankenstein/Sr.Tangalanga/Matrix_regarKdo) Seen

http://www.psicofxp.com/forums/politica-economia-sociologia.146/972691-revelada-israel-atento-contra-eeuu-9-a-50.html

Friday, January 28, 2011

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LITERARY STUDIES WORKSHOP: "THE HISTORY OF THE GREAT PERUVIAN LITERATURE"

LITERARY STUDIES WORKSHOP
"HISTORY OF THE GREAT PERUVIAN LITERATURE "


Teacher: Mr. Elton Honors
Duration: 10 sessions of 2 hours each.
Monday & Friday from 15:00 to 17:00 hrs.
Start: Monday February 7, 2011
Cost: S /. 100 (includes certificate on behalf CAS Literature - San Marcos).

Location: Faculty of Arts and Human Sciences of San Marcos.
Av Venezuela 3400, Pavilion of Arts - University City, Lima 1.

Sommelier: The course offers an overview of the fantastic in Peruvian narrative, since the advent of the romantic sensibility in the nineteenth century, to the narrative of the 90, XX and XXI century. Considering that much of this production has not sustained monographic works, the course is also an invitation to reread, to find and rescue this mode of expression, which is of marginal status within the narrative corpus Peru, despite its large and diverse production records.

Objectives:

- Provide a historical overview of fantastic narrative production in Peru.
- Identify your main representatives in each historical period.
- To establish relationships between the fantastic with other genres like science fiction, gothic, humor, horror and gore.
- Reading of the major texts of selected authors and critical comments on each session.

Course program:

I. Definition of fantasy. The fantastic as Todorov. New readings of the fantastic. Theories of the fantastic in Latin America.
Reading: Selected Texts.

II. The fairy tale in Latin America. Problematization about the fantastic in Peru. The critical reception of the fantastic. The case of anthologies.
Reading: Selected Texts.

III. The great thing in European Romanticism. Peruvian Romanticism. Romantic Imagination serial novels: Lima from here a hundred years of Julián del Portillo and Father Narciso Aréstegui Horan. The gender of the tradition: Ricardo Palma. Francisco Ibáñez. Ambrosio Mariano Cateriano.
reading of "The procession of the souls "of Francisco Ibáñez and" The prayer of ten in the night "for Mariano Cateriano Ambrosio.

IV. Modernism: José Antonio Román. Clemente Palma's narrative: Stories malevolent Malignant Comics, XYZ.
reading of "The White House" and "Mors ex vita" of Clemente Palma.

V. Postmodernism: Ventura García Calderón: Dolorosa and naked reality. Luis Enrique Moreno Thelessen. Enrique López Albújar: Women Diogenes. Twice in the narrative of Abraham Valdelomar.
Reading "Kiss Evans" and "Finis desolatrix veritae" Abraham Valdelomar.

VI. Forefront and the transition years: Alberto Hidalgo. Carlos Pareja Paz Soldan. Sebastián Salazar Bondy. Wild Fabla César Vallejo.
Reading "Man Cubist Alberto Hidalgo and" Beyond life and death "of César Vallejo.

VII. Hatching of the fantastic: the narrative of fifty. Luis Loayza. Luis Felipe Angell. Edgardo Rivera Martínez. Alfredo Castellanos. The fantastic stories of Julio Ramón Ribeyro.
reading of "The Beast" by Luis Loayza and "dub" by Julio Ramón Ribeyro.

VIII. The '60s and '70s: Eduardo Gonzalez Viana. Carlos Calderón Fajardo. The stone in water Harry Belevan. Joseph B. Adolph and science fiction.
Reading "House" and "Artemio and MultiCal" JB Adolph.

IX. Latest trends: The narrative of the '80s: Enrique Prochazka. Carlos Herrera. José Guiche. José Donayre. 90s: From the horror and gore. Lucio Colonna-Preti: Crickets. Carlos Carrillo: To have them locked up. Reading
"Turing Test" Enrique Prochazka, "The Queen Mother" by José De Guiche and "Legacy of the Carpathians" by Carlos Carrillo.

X. The novice: from 2000 to the present. Final reviews of the course. Reading
texts. Elton


Honors. researcher, literary critic and university professor. A graduate of the MA in Literature from the Universidad Nacional Mayor de San Marcos. His main research field is fantastic literature. Post and participate as a speaker at various media and national and international academic events. Has published impossible world. The fantastic in Peruvian narrative (Lima: Body of Metaphor Publishers, 2010. 255 pp.) And of coantologador who dwell in the shadows. Sieges the vampire in fiction Peru (Lima: The Lamparero stunned, 2010. 276 pp.).


Organizers:
Professional Academic School of Literature &
Literature Student Center (Celite).

Information and registration:
Literature Student Center (Celite):
celitsanmarcos@gmail.com

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LITERARY STUDIES WORKSHOP: INTRODUCTION TO LITERARY THEORY "

WORKSHOP LITERARY STUDIES
"INTRODUCTION TO LITERARY THEORY "

Speaker: Luis Eduardo Lino Salvador
Duration: 10 sessions of 2hrs each one.
Tuesday & Thursday from 15:00 to 17:00 hrs.
Start: Tuesday February 8, 2011
Cost: S /. 100 (includes certificate on behalf of the EAP literature).

Location: Faculty of Arts and Human Sciences
UNMSM Av Venezuela 3400, Pavilion of Arts - University City, Lima 1.

Sommelier: The current workshop aims to introduce students within the coordinates of literary theory made from antiquity to the tradition of Romantic aesthetics. This will proceed to the development of major literary aesthetic approaches proposed in the texts of the most representative thinkers, namely, Plato, Aristotle, Horace, Kant, Hegel, and Dilthey. Also present an overview on the main routes of the twentieth century literary theory.

Objectives:

Get a set of basic categories for the understanding of literary theory.
identify the main ideas which constitute the literary aesthetic thought.
Recognize common themes raised about literary aesthetics.
discuss the different conceptions of the literary phenomenon from the perspective of aesthetics.
reflect on various literary theoretical approaches have emerged in the twentieth century.


Program:

I
Week 1 Introduction. Rodeos to a conception of literature. Literary theory and literary poetry. Literary theory and literary interpretation. Theoretical understanding and hermeneutic understanding.
2 Dialogues of Plato. Creative practice from the perspective of dialogue Ion . The rhetoric under Gorgias dialogue . The exile of the artist in Republic.

II
week
3 The concept of "art that has no name" on Poetics Aristotle. 4
globalizing dimension of Aristotle's Rhetoric.
III
week
5 The docere - delectare in the poetics of Quinto Horacio Flaco.
6 The aesthetic paradigm E. Kant (1). Week IV

7 The aesthetic paradigm E. Kant (2).
8 The aesthetic thought of Hegel. V

week
9 Aesthetics and poetic as Dilthey.
10 Panorama of the theoretical literature in the twentieth century.

Luis Eduardo Lino Salvador . BA in Literature from the Universidad Nacional Mayor de San Marcos. Also, extended expertise in Peruvian and Latin American Literature in this university. He has spoken at various academic events and offers several publications in national and international magazines as Novamérica Brazil. He currently teaches at the Universidad Antonio Ruiz de Montoya and the Universidad San Ignacio de Loyola.

Organizers:
Professional Academic School of Literature &
Literature Student Center (Celite).

Information and registration:
Literature Student Center (Celite):
celitsanmarcos@gmail.com


Tuesday, January 18, 2011

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PHOTOS: TUESDAY, JANUARY 18 / CYCLE OF BUILDING WORKSHOPS TESTIMONIALS

The first edition was by the
DR. GUSTAVO FAVERÓN Patriau

The Literature Student Center (Celite) and the Peruvian Red Literary presented on Tuesday, January 18 CYCLE OF BUILDING WORKSHOPS TESTIMONIALS the Peruvian Literature House, which had the Dr. Gustavo Faveron presence Patriau in its first edition.

Dr. Gustavo Portillo Faverón and Genesis.

SPONSORS










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Back in December of 2010 they learned of the return to the courts Koxmoz and called us to advance the next few issues disc (Bs.As Kompetixion, Eco Kompaz, Quantika). Here I leave the video to view and / or download of the rigid, while we collect the photos and videos of the staging of the festival Activathor in the next Niceto kexo data we publish, Health.
http://www.megaupload.com/?d=G276D8JZ

Sunday, January 16, 2011

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CineClub CELITE

WEDNESDAY 19 JANUARY
IN THE COMPANY OF WOLVES ( The Company of the Wolves )



Director: Neil Jordan

Screenplay: Neil Jordan, Angela Carter

Country: United Kingdom

Cast: Sarah Patterson, Angela Lansbury

Year: 1984

Gender: Terror

Duration: 95 minutes

Synopsis: Lying in her bedroom, she Rosaleen (Sarah Patterson) dreams that a wolf pack kills his sister. Suddenly, he is living in a bygone era, where his parents are a humble peasant and his sister's death is a fact. His grandmother (Angela Lansbury), has a habit of telling stories about men who travel the eyebrows together more sections of the forest trails and night become evil wolves. The story progresses through specific stories and scenes from everyday life in the village and the forest, until the final sequence that during a cold winter twilight, Rosaleen's mother asked to take a basket of food to her grandmother, who lives in the bosque.La film is based on several stories of werewolves that appear in the book The bloody chamber the writer Angela Carter, principally also titled "The Company of Wolves." Also, the film could be considered a fairly free version of the classic tale of Little Red Riding Hood by Charles Perrault, where the alleged big bad wolf is really a werewolf disguised as a man. Despite the film's budget and the time he was shot, the special effects are remarkable. The Company of Wolves is a film that mixes the fantasy and horror genres.

FRIDAY 21 JANUARY

The Thing (The Thing )



Director: John Carpenter

Writer: Bill Lancaster Country

USA

Cast: Kurt Russell , Keith David, Wilford Brimley

Year: 1982 Genre

: Terror

Duration: 108 minutes

Synopsis: An alien creature with the ability to perfectly imitate any animal or human with which it comes into contact infiltrates in the Season 4 of the National Institute of Sciences of the United States located in Antarctica. Since each member of staff of the station is unable to know if their partners are human or otherwise, creating a climate of distrust and tension and are eliminated one by one by the child or his comrades. Later, the survivors realize that if the child reaches the outside world could devour all life on Earth exists in a few hours, now the battle is for their survival as the human race. The Thing (The thing, in Spain, The Thing from another world in Argentina, and The Thing from Another World, in several Latin American countries) is a science fiction film of 1982 directed by John Carpenter. It is a remake of the 1951 film directed by Howard Hawks The Thing from Another World (The Thing from Another World). Both films are based on the novella by John W. Campbell Jr. "Who Goes There?" But Carpenter's film is more faithful to the original. Carpenter considers the film the first of his "Apocalyptic Trilogy", continued in 1987 and 1995 by the Prince of Darkness (Prince of Darkness) and In the Mouth of Madness (In the Mouth of Madness), respectively.

PLACE: AULA 9A (First floor of the Faculty of Arts and Humanities)

TIME: 14:30-17:30 HOURS

COLLABORATION: S / 0.50

Saturday, January 15, 2011

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LANGUAGE CENTER-SCHOOL OF ARTS AND HUMANITIES-UNMSM


Wednesday, January 12, 2011

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CYCLE BUILDING WORKSHOPS TESTIMONIALS

by Gustavo FAVERÓN

The Literature Student Center (Celite) presents workshops, testimonials from creation, which is a new format in creative workshops that bring together several writers, on various dates, which since its scriptural experience, intended to motivate the creative abilities of the participants. The first edition of this workshop will be led by Gustavo Faverón Patriau.


DATE: Tuesday January 18

TIME: 15:00 hrs.

PLACE: Peruvian Literature House
(Jr. Ancash 207 - Old Station Homeless)

Those wishing to attend this event may do so prior registration email
Celite


Gustavo Faverón Patriau (Lima, 1966) is a journalist, writer and literary critic. He studied at the Catholic University of Peru and received his MA and Ph.D. in Hispanic Literature at Cornell University. He has taught at Middlebury College, Stanford University and currently at Bowdoin College, Maine, where he lives. He was editor of the newspaper El Comercio us and now edits the magazine of literary theory Dissidence. He is the author of two books of theory: Rebels (Madrid: Tecnos, 2005) and Against the allegory (Hildesheim-Zürich-New York: Olms, 2010). All blood edited: Peruvian tales of political violence (Lima: Matalamanga, 2008) and, together with Edmundo Paz Soldan, the set of critical essays wild Bolaño (Barcelona: Kandy, 2008). His blog Airlift has been considered by Spain's ABC newspaper as "the most influential" in Latin America. The dealer is his first novel.


ORGANIZAN

















































































Saturday, January 8, 2011

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LITERATURE HOUSE-WEEKLY AGENDA JANUARY 10-16



Good afternoon

friends


Through this week will forward the agenda of Tuesday 11 to Sunday 16 January.


There are different activities, we hope .--

Peruvian Literature House

Jr. Ancash 207, Lima 01

T :426-2573


Visit: http://www.casadelaliteratura.gob.pe/

Thursday, January 6, 2011

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RESEARCH UNIT FINANCING

2011 undergraduate thesis

students are invited seniors and graduates of the Faculty of Arts to participate in Finance Competition Undergraduate Thesis 2011.

Applicants must submit to this day January 22, 2011 the Secretariat of the Research Unit as follows: -01

Manila folder containing the original draft form with the respective signatures of the adviser and thesis student. -02
original copies of the Manila folder each. -01
CD with digital file of the project.
-Thesis Project will be assisted by a designated teacher (who signed the proposal submitted by the applicant tesista).
"It's necessary to register the project presented its School Academic Training.

look forward to your participation and call for the dissemination of this release.


Directorate
Note: The digital archive project can be downloaded from the website of the Research Council in the Forms section or requested at the Secretariat of the UI